Flightless Four hit new heights in own movie

DELIGHTFULLY SILLY: (From left) Private, Skipper, Kowalski and Rico are fleshed out by the screenplay, which has a fizzy, pop-culture pizazz, tempered by a distinctly vaudeville sensibility. It is smart, but not brainy; dumb, but never inane.


    Nov 27, 2014

    Flightless Four hit new heights in own movie


    Animation/92 minutes/Opens today

    Rating: 3.5/4

    The story:

    Penguins Skipper, Kowalski, Rico and Private must join forces with chic spy organisation the North Wind led by Agent Classified to stop the cunning octopus villain Dave from kidnapping penguins from all of the world's zoos.

    THE career trajectory of the four wisecracking cartoon penguins introduced as minor characters in the animated film Madagascar has been one of meteoric ascendancy, with return appearances in two sequels, a couple of standalone shorts and a television show.

    It is not an unusual path in animated Hollywood. We have seen it before with Scrat, the sabre-toothed squirrel from Ice Age, who parlayed a cameo in the first film into a cottage industry of increasingly annoying shorts and a camera-hogging turn in the second sequel, Dawn Of The Dinosaurs.

    But unlike that acorn-obsessed, chipmunk-cheeked, paleo-rodent ham, the Flightless Four are ready for their moment in the sun. Penguins Of Madagascar is a delightfully silly star turn for this quartet of absurd little birds, who operate as a team of commandos.

    There are several reasons why this works.

    First is the voice talent. Although none of them is a marquee name, the actors who bring the penguins to life: Tom McGrath, Chris Miller, Conrad Vernon and Christopher Knights do so with verve. (Special credit goes to Vernon, who voices the almost non-verbal, but nevertheless vocally expressive Rico, who is often shown coughing up indigestible objects that he has swallowed.)

    Other notably funny turns in Penguins include John Malkovich and Benedict Cumberbatch.

    Playing to type, the A-list actors provide the voices for, respectively, emotionally unstable Dave, and the heroic, cucumber-cool secret agent grey wolf whose name is classified. (That's right: The character's name is never given - "My name is classified," he tells us, in that mellifluous British baritone of his - leading to some giddy "Who's on first?" confusion.)

    Which brings me to the real reason for the movie's success: the writing of the story about Dave's plot to kidnap penguins from all of the world's zoos and turn them into monsters.

    Fleshing out characters created by Madagascar directors and writers Eric Darnell and McGrath (whose voice brings Skipper's MacGyver-like can-do spirit to life), the screenplay by John Aboud, Michael Colton and Brandon Sawyer has a fizzy, pop-culture pizazz, tempered by a distinctly vaudeville sensibility. It is smart, but not brainy; dumb, but never inane.

    Colton, who was an editor of the Harvard Lampoon in college, worked briefly at The Washington Post in the late 1990s before leaving to form the now-defunct online humour magazine Modern Humorist with Aboud. Their work with Sawyer, a children's TV writer whose credits include the Penguins series on Nickelodeon, is perfectly aimed at the target demographic of silly but savvy 10-year-olds.

    One recurring joke involves Dave barking orders to his tentacled henchmen, leading to a series of increasingly nutty puns name-checking famous movie stars: "Nicolas, cage them!" "Charlize, there on the death ray!" "Drew, barry, more!" It is gloriously juvenile, but also very, very funny.

    Other ingredients in this self-referential, pop-culture puree include a cameo by the German director Werner Herzog, playing the film-maker and narrator of the penguin documentary that opens the film in Antarctica, where its prologue is set. Observing that our four heroes are "frozen with fear" on an icy precipice, Herzog orders his sound man to "give them a shove", in order to increase the drama.

    And increase it he does. One of those early scenes features a leopard seal eating a seagull. It is an indication of the dark edge that will give the story its slightly grown-up astringency. Penguins Of Madagascar is by no means inappropriate for kids, but there is a coolly self-aware smirk to it that makes it palatable to people with driver's licences, too.

    And, oh yes, the 3-D animation is a treat.

    But the real charm of the film is its stars. As Skipper says, "A good plan is about more than effecty stuff and big words." That is equally true of a good movie.